HomeInsightsThe Earned Settlement Model: what it could mean for the Creative, Film, and TV industries

The Home Affairs Committee has published its report on the Government’s proposed Earned Settlement model, bringing together consultation responses. Although the timing and mechanics for the overhaul of the current settlement system are still to be confirmed later this year, the report gives a clear sense of direction — and highlights areas media and creative employers should begin factoring into workforce planning.

Individual settlement pathways: planning for creative households

A key proposal is that adult dependants would earn settlement in their own right, assessed on an individual (as opposed to a household) basis. In an industry with seasonal or cyclical earnings where partners can be on different project timelines, this could create practical challenges for families.

Under the proposed model, a household with one high earner and one lower earner could be treated less favourably than a household where both earners meet the £52,270 threshold individually (minimum requirement to reduce settlement timeline), even if the total household income of the former is higher. In a sector built around freelance and project-based work, this could lead to split settlement timelines within families impacting not only partners, but their children as well.

Longer sponsorship timelines: retention and workforce planning

The creative industries rely heavily on international talent – from visual effects artists and animators to directors, performers, and post-production specialists. If the earned settlement model extends the period during which sponsored workers must remain in sponsored employment to progress towards settlement, that may increase continuity with the same sponsor, requiring longer-term workforce planning and return on investment in skills development. It may also increase the importance of offering competitive, well‑structured incentives to keep international talent in the UK market.

For employers, the upside is greater predictability and retention in a highly competitive market. As ever, sponsor compliance will need to remain robust over a longer timeframe (including accurate records and reporting), but many organisations can manage this through existing HR and mobility governance. Employers that communicate immigration pathways clearly and support sponsored staff well are also likely to strengthen their employer brand and talent proposition.

Intersections with the Employment Rights Act 2025: culture, conduct and compliance

The broader employment law landscape is also shifting. Recent reforms to employment rights strengthen expectations on employers to prevent and address workplace harassment, improve transparency, and support fair treatment. For creative employers who often operate fast‑moving productions with mixed teams of employees, workers and freelancers, these developments sit alongside the earned settlement model in ways that merit planning.

There is increased emphasis on proactive prevention of harassment, alongside tighter enforcement and evolving expectations around bullying and the use of confidentiality clauses. For creative employers, this reinforces the value of production‑ready standards of behaviour, visible senior endorsement, targeted training for managers and heads of department, accessible reporting routes (including on location), and prompt, well‑documented investigations. These measures support trust and create a strong working culture across productions, ultimately helping incentivise sponsored staff to stay with the same employer for longer.

For employers in film and television, the practical takeaway is to integrate immigration and employment‑law compliance: refresh dignity‑at‑work policies and reporting routes so they work in production settings; ensure contractors and umbrella companies align to the same standards; and stress‑test escalation pathways so issues are raised and addressed quickly.

Transitional arrangements and operational complexity

There are early indications that transitional arrangements may be adopted for migrants living and working in the UK before 2021, with the Home Affairs Committee noting that applying the new model to this cohort “does not appear to meet the key objectives the Government has set out”. If so, this could provide helpful continuity for existing sponsored populations and a clearer runway for workforce planning.

The Committee also highlighted the operational complexity of the new model, with settlement applications potentially requiring review of earnings, employment history and compliance (and, in some cases, benefit claims and volunteering history). That may mean longer processing times initially, but it also points towards a more structured, evidence‑led assessment. For employers, strong HR and sponsor record‑keeping should help drive smoother applications and greater predictability over time.

The media and creative sectors thrive on their ability to attract and retain international talent. While we await confirmation of the detail and timing of implementation, the Home Affairs Committee’s report suggests the model could be meaningful for workforce planning, sponsorship strategy, and employee support – and is therefore worth monitoring closely as further detail emerges later this year.